DIGITAL ECOSYSTEMS FOR MUSIC TEACHER TRAINING: ICT, SOCIAL MEDIA, AND ONLINE LEARNING ENVIRONMENTS
DOI:
https://doi.org/10.17770/etr2025vol2.8598Keywords:
Digital learning tools, Digitalization, Higher education, ICT, Interactive content, Music applications, Music pedagogy, social media, Technological adaptationAbstract
The increasing digitalisation of education has significantly impacted music teacher training, integrating information and communication technologies (ICT) and online platforms into pedagogical practice. This study explores the role of digital ecosystems, particularly social media platforms like YouTube and TikTok, in shaping new approaches to music education. These platforms function not only as entertainment hubs but also as powerful educational tools that foster interactive learning, expand access to high-quality musical instruction, and engage students in dynamic ways. We analyse both the theoretical and practical aspects of ICT integration in music teacher education, highlighting how digital tools transform teaching methodologies. Special attention is given to social media as an educational resource, evaluating its benefits—such as accessibility, engagement, and diverse content—while also addressing challenges like quality control and information overload. Through expert analysis and case studies, we assess the effectiveness of blended learning models that combine traditional and digital education. As a result, we propose a structured model for integrating social media and online tools into music teacher training, aiming to enhance interactive engagement and professional development. This study contributes to the ongoing discussion on the modernisation of music education, offering practical recommendations for embedding ICT and social media into curricula. By leveraging the potential of digital learning environments, future music teachers can not only adapt to contemporary pedagogical challenges but also develop innovative teaching methodologies tailored to the needs of digital-native students.
References
S. Hallam, E. Himonides, “The power of music: An exploration of the evidence”, Open Book Publishers, 2022. [Online]. Available: https://www.openbookpublishers.com/books/10.11647/obp.0292. [Accessed: Jul. 11, 2022]. DOI: https://doi.org/10.31219/osf.io/7tzjr
V. Vyshynskyi, I. Yahodzynska, “Distance Learning for Music Disciplines in Higher Education: Challenges and Prospects”, Society. Integration. Education, Proceedings of the International Scientific Conference, 3, 585-598. 2017. [Online]. Available: https://journals.rta.lv/index.php/SIE/article/view/2382. [Accessed: May. 26, 2017], https://doi.org/10.17770/sie2017vol3.2382. DOI: https://doi.org/10.17770/sie2017vol3.2382
M. M. Kachur, I. S. Synevych, M. A. Zhyshkovych, L. P. Stepanova, I. S. Synevych, “Digital educational space in the professional training of a musical art teacher”, Revista de la Universidad del Zulia, 12 №35, p. 160-180, 2021. [Online]. Available: https://produccioncientificaluz.org/index.php/rluz/article/view/37047/40221. [Accessed: Sep. 01, 2021], http://dx.doi.org/10.46925//rdluz.35.10. DOI: https://doi.org/10.46925//rdluz.35.10
E. Shevtshenko, R. Maas, T. Karaulova, I. Dembovska, and A. Truver, “Digsm 4.0 Curriculum Lifecycle Based on Component Organised Learning Method”, ETR, vol. 2, pp. 203–208, Jun. 2023. [Online]. Available: https://journals.rta.lv/index.php/ETR/article/view/7311. [Accessed: Jun. 13, 2023], https://doi.org/10.17770/etr2023vol2.7311. DOI: https://doi.org/10.17770/etr2023vol2.7311
J. F. Merchán Sánchez-Jara, S. González Gutiérrez, J. Cruz Rodríguez, B. Syroyid, “Artificial Intelligence-Assisted Music Education: A Critical Synthesis of Challenges and Opportunities”, Education Sciences, 14(11), 1171, 2024. [Online]. Available: https://www.mdpi.com/2227-7102/14/11/1171. [Accessed: Oct. 28, 2024], https://doi.org/10.3390/educsci14111171. DOI: https://doi.org/10.3390/educsci14111171
L. Cuervo, C. Bonastre, C. Camilli, D. Arroyo, D. García, “Digital Competences in Teacher Training and Music Education via Service Learning: A Mixed-Method Research Project”, Educ. Sci. 2023, 13, 459, 2023. [Online]. Available: https://www.mdpi.com/2227-7102/13/5/459. [Accessed: Apr. 23, 2023], https://doi.org/10.3390/educsci13050459. DOI: https://doi.org/10.3390/educsci13050459
A. Khilya, O. Kolosova, T. Kronivets, and I. Sarancha, “Features of Synchronous and Asynchronous E-Learning on the Example of Teaching the European Experience of Social Inclusion”, ETR, vol. 2, pp. 410–416, Jun. 2024. [Online]. Available: https://journals.rta.lv/index.php/ETR/article/view/8074. [Accessed: Jun. 22, 2024], https://doi.org/10.17770/etr2024vol2.8074. DOI: https://doi.org/10.17770/etr2024vol2.8074
T. Koval, Оliinyk N., T. Kryvosheya, and A. Khilya, “Application of Gamification in Higher Education: Training of Early Childhood and Primary Education Teachers in Ukraine”, ETR, vol. 2, pp. 183–187, Jun. 2024. [Online]. Available: https://journals.rta.lv/index.php/ETR/article/view/8051. [Accessed: Jun. 22, 2024], https://doi.org/10.17770/etr2024vol2.8051. DOI: https://doi.org/10.17770/etr2024vol2.8051
LI, Na, “Combination of blockchain and AI for music intellectual property protection”, Computational intelligence and neuroscience, vol. 2022, no 1, p. 4482217, 2022. [Online]. Available: https://onlinelibrary.wiley.com/doi/10.1155/2022/4482217. [Accessed: Apr. 28, 2022], https://doi.org/10.1155/2022/4482217. DOI: https://doi.org/10.1155/2022/4482217
J. Merchán Sánchez-Jara, S. Ramos Ahijado, J. C. Montoya Rubio, “Educational ecosystems for music practice in the Social Web environment: a systematic literature review”, Revista de Investigación Educativa, 40(2), pp. 565-587, 2022. [Online]. Available: https://revistas.um.es/rie/article/view/477721. [Accessed: Jul. 01, 2022], https://doi.org/10.6018/RIE.477721. DOI: https://doi.org/10.6018/rie.477721
N. Pattananon, P. Pongvatnanusorn, K. Gularnupong, K. Niramittham, “Pedagogical Innovations In Advanced Music Education”, Educational Administration: Theory and Practice, 30(4), 8334–8337, 2024. [Online]. Available: https://kuey.net/index.php/kuey/article/view/2727/. [Accessed: Apr. 30, 2024].
J. F. M. Sánchez-Jara, S. G. Gutiérrez, S. O. Migueláñez, M. A. G. Malheiro, “Digital platforms for music production (DAW): educational innovation from music teacher training: Plataformas digitales de producción musical (DAW): innovación educativa desde la formación docente del profesorado de música”, Revista Electrónica de LEEME, (52), 53-72, 2023. [Online]. Available: https://turia.uv.es//index.php/LEEME/article/view/27178. [Accessed: Dec. 04, 2023], https://doi.org/10.7203/LEEME.52.27178. DOI: https://doi.org/10.7203/LEEME.52.27178
O. Vindaca, A. Abolina, L. Danilane, “Transforming Higher Education in the Era of Artificial Intelligence Chat Tools: Case Study”, ETR, vol. 2, pp. 310–316, Jun. 2024. [Online]. Available: https://journals.rta.lv/index.php/ETR/article/view/8014. [Accessed: Jun. 22, 2024], https://doi.org/10.17770/etr2024vol2.8014. DOI: https://doi.org/10.17770/etr2024vol2.8014
R. Crawford, “Rethinking teaching and learning pedagogy for education in the twenty-first century: blended learning in music education”, Music Education Research, 19(2), 195-213, 2017. [Online]. Available: https://www.tandfonline.com/doi/full/10.1080/14613808.2016.1202223. [Accessed: Jul. 01, 2016], http://dx.doi.org/10.1080/14613808.2016.1202223. DOI: https://doi.org/10.1080/14613808.2016.1202223
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Vasyl Frytsiuk, Iurii Kshyvak, Iryna Baranovska, Olena Teplova, Anna Novosadova, Anna Khilya

This work is licensed under a Creative Commons Attribution 4.0 International License.